When he was king

Bjorn Borg

By Tim Pears, the Observer, Sunday 5 June 2005

They called him the ice man, but there was so much more to Björn Borg than cool detachment and a wispy beard. Twenty-five years after the Swede’s last and greatest Wimbledon triumph, award-winning novelist Tim Pears offers a remarkable portrait of the rebellious teenager who became an accidental Nordic mystic – and an all-time great.

‘I think Björn’s greatest victory was not the way he came to master his ground strokes, but the change he underwent, with terrible determination, to tame his passionate spirit.’ Lennart Bergelin, Borg’s coach

Was ever a great champion so misunderstood, even in the broad light of his glory, as Björn Borg? By the time of the Wimbledon championships of 1980, when he was 24, he had won the grass-court competition each of the four preceding years, as well as the French Open, on clay, five times. On contrasting surfaces that required radically different approaches, this was an achievement without precedent. And yet the calm young master was widely regarded as an automaton, a robot. The Swede had is i magen: ice in his stomach. In the British press he was the ‘Iceberg’. His admirers no less than his critics described a man with cold blood running through his veins.

How wrong they were. Borg was not blessed with abundant talent, but the talent he had he surrendered to, with the devotion of an instinctive faith, until he achieved liberation. Borg was an inspiration and I wondered how others could not see that his heart was filled with joy for this game and that he hid this joy not to deny it, but rather to nurture its presence within him.

Eyes

Born on 6 June 1956, Borg was brought up in Södertälje, an industrial town of 100,000 people 30 minutes drive south-west of Stockholm, the only child of Margarethe and Rune, a clothes-shop assistant. He first appeared at Wimbledon in 1972, winning the junior title, a lanky Swedish youth with a straggle of blond brown hair. He had blue eyes that were so close together they appeared slightly crossed. He kept them averted from other people, betraying the shy evasion of a teenager who believes everyone is looking at him – the one object he focused on was a tennis ball when about to hit it. He had a sharp nose in a thin, feral face, with a long pointed chin; his wide shoulders were stooped and he walked with a rolling gait. And yet everywhere he went he was pursued by mobs of schoolgirls. Less a Viking, really, than an Arthurian knight, Borg was embraced by England. We were drawn to his modesty.
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Adriano Panatta

From Love Thirty, three decades of champions – published in 1990

Panatta had much in common with Ilie Nastase in that both were under-achievers who never fully exploited their talent but gave immense pleasure and attracted huge followings. The obvious differences between them lay in playing method and conduct. Nastase was the more flamboyant competitor but his behavior was often offensive. Panatta had more power and his deportment was elegantly disciplined as his tennis. He was a heart-throb who milked the role in an engaging way, rather as John Newcombe did. His teenaged fans could admire the man and his tennis without the reservations necessary in Nastase’s case. Panatta was a model of the tall, dark and handsome hero or, to flaunt another cliché, the strong, silent man. At the same time he could be demonstrative in the Italian way and the ladies did not mind at all when he put on his sulky look or tossed back his forelock.

At six feet and almost 13 stone Panatta was a fine athlete, though the professional sportsman was always slightly at odds with his well developed taste for food and wine and the dolce vita. He was a renowned, attractive sportsman who fitted perfectly into fashionable Roman society. When he appeared at the Foro Italico the public’s excitement was so passionately partisan – to the point of conducting matches rather than merely watching them – that players from overseas felt no more popular than early Christians did at the Colosseum. In Panatta’s era the crowd’s hostility towards his opponents was sometimes frightening. Nor was justice consistently evenhanded. But all that was not Panatta’s fault. His presence simply kindled emotional fires that occasionally out of control.

On the other hand one would not wish Italians to be anything but warmly appreciative of tennis players whose brush-strokes respect the nation’s proud artistic traditions. Panatta was not the first.
Two particularly interesting characters 30 years ago were Beppe Merlo and Nicola Pietrangeli. Merlo was a dapper little chap who defied most of the conventions except in his ability to put the ball where his opponents didn’t want it and, often, didn’t expect it. He used a short grip and had no more than a hint of a backswing. No more than a hint of a service, either. He just prodded the ball into play. Merlo’s racket was so loosely strung that his strokes were noiseless save for a muffled plunk. But he was an artful nudger commanding a deceptive variety of spin. Merlo’s tennis was so eccentric, so baffling, that opponents ran the risk of getting their legs knotted.

By contrast Pietrangeli was a classically conventional clay-courter. Born in Tunis of Franco-Russian parents, he could have been a top-class footballer. Instead, Pietrangeli played and won more Davis Cup matches than any other player, took Italy to two challenge rounds with the help of a giant called Orlando Sirola, and twice won the French championship. He played with enviable economy of effort and had such a deft touch that occasionally, like Manuel Santana, he could make a drop-shot spin back over the net. In 1962 Pietrangeli and Nikki Pilic established a Wimbledon record with a 46-game set. Pietrangeli was also an active socialite who often stayed up half the night, arguing that there was nothing much to do in the mornings except sleep.

Panatta first caught ou attention when he beat Clark Graebner in the 1968 Queensland championships in Brisbane. It soon became evident that for all his size and strength and his agility at the net, Panatta was most at ease when using the drop-and-lob routine to design leisurely, almost languid patterns across sunlit clay courts. […]

His annus mirabilis was 1976, when he won the Italian and French championships in three weeks and – with the help of Corrado Barazzutti in singles and Paolo Bertolucci in doubles – brought Italy the Davis Cup for the only time in the competition’s history. It helped that four out of six ties were played at home. Panatta’s individual triumphs in Rome and Paris were remarkable for the fact that in each tournament he came within a point of losing in the first round.

In Rome, Kim Warwick had no fewer than 11 match points. In Paris, Pavel Hutka, an ambidextruous Czechoslovak newcomer to Roland Garros, had only one match point – but the memory of that point is vivid. Silence fell like a pall over the sunny stadium as Panatta prepared to serve. Fault. Both men fidgeted. There was no other movement, no sound. The birds had stopped singing. Hutka clipped the net cord in returning the second ball. Panatta, dashing in, had to break his stride but hit deep and stood towering at the net, waiting to see what Hutka and the gods had in store for him. Hutka’s lob looked a winner but Panatta’s vertical take-off achieved a feeble return off the frame. Hutka’s passing shot looked a formality but Panatta guessed right, flung himself headlong like a torpedo and hit a winning volley – again, off the frame. Whereupon Panatta crashed on to the court, the ground seemed to shiver and the stadium thundered with applause. That was the most amazing point I ever saw.
After that it was all profit. Even Bjorn Borg, champion in the two preceding years, could not cope with the imaginatively adventurous Panatta, who no longer recognized any distinction between the improbable and the inevitable.

Panatta’s arresting presence and artistically macho tennis also gave us memorable hours of pleasure when he was playing on grass, a surface hostile to the graces. And at Wimbledon in 1976, when he was playing Charlie Pasarell, the was an incident that told us much about the man. As Panatta was about to serve, a sparrow twittered away on the grass a few yards behind him. Distracted, Panatta gently olled a ball towards it, but the sparrow could not or would note move. So Panatta strolled back, picked up the fluffy chirper in a strong yet tender hand, and carefully took it across a spectator. Panatta had a way with birds. He had a way with tennis, too. The game was a means of expression, a form of communion with the ghosts of Michelangelo and Leonardo Da Vinci.

Sampras and Agassi

French sports daily L’Equipe celebrates the 10th anniversary of the FedererNadal rivalry (they first met in Miami in 2004, Nadal won in straight sets 6-3 6-3) and at this occasion they published their 5 best mens tennis rivalries. Here’s their ranking (article by L’Equipe, translation by Tennis Buzz):

1. Federer-Nadal (since 2004)

Despite the fact that Nadal won more than 2 out of 3 of their meetings, their duel still fascinates. Roger Federer and Rafael Nadal played a record 8 Grand Slam finals against each other.

2. Borg-McEnroe (1978-1981)

Fire and ice, ice and fire. You had to choose your side: the steadfast right-handed or the flamboyant left-handed, the inscrutable one and the temperamental one. For many, this rivalry symbolizes the first golden era of tennis. Bjorn Borg and John McEnroe met only 14 times including 4 Grand Slam finals (head-to-head: 7-7), but they played that epic Wimbledon final in 1980 and the tiebreak everyone remembers (18-16 in the fourth set).

(Check out some pics and videos of Borg and McEnroe renewing their rivalry at the Optima Open here)

3. Sampras-Agassi (1989-2002)

Another opposition of styles and personalities. On one side, Sampras offensive game and underdeveloped charism, on the other side, Agassi‘s thousands lifes and looks, his sharp eye and laser-like groundstrokes. Sampras often prevailed (20-14 overall, 4-1 in Grand Slam finals for Sampras), but they played some memorable matches like their 2001 US Open quarterfinal (4 sets, 4 tiebreakers).

(Check out some pics and videos of Agassi and Sampras renewing their rivalry at the World Tennis London Showdown here)

4. Nadal-Djokovic (since 2006)

The classic of the classics (39 meetings) could climb up the rankings because they could play some other memorable matches like the Australian Open 2012 final (5 hours and 53 minutes of play), the 2011 US Open final and the semifinals in Madrid in 2009 and at Roland Garros last year. The decathletes of modern tennis have already played 6 Grand Slam finals against each other (4 wins for the Spaniard).

5. Edberg-Becker (1984-1996)

We could have chosen a more fiercy rivalry (Lendl-McEnroe ou Connors-McEnroe) but we preferred to remember the time when two pure attacking players ruled the world. Edberg opposed a wonderful technical fluidity to Becker‘s power. The German has often had the upper hand (25-10 in their head-to-head) but Edberg won 2 of their 3 Grand Slam finals, all 3 at Wimbledon.

What do you think of this top 5? Personnaly I would vote Borg-McEnroe for top rivalry because of their bigger contrast in styles, personalities and their mythic Wimbledon 1980 final.
Happy to see Edberg-Becker at number five, back in the days I really loved watching them play at Wimbledon.
Please vote and share your thoughts.

Men's tennis best rivalry?

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The All England Lawn Tennis and Croquet Club:

Wimbledon guided tour – part 1
Wimbledon guided tour – part 2
Wimbledon Centre Court roof
Court 3 : a new Show Court at Wimbledon
Waiting in the Queue to Wimbledon
Wimbledon Museum: The Queue exhibition
The Wimbledon Lawn Tennis Museum: Player Memorabilia

Fashion and gear:

Rafael Nadal Nike outfit
Roger Federer Nike outfit
Maria Sharapova Nike dress
Serena Williams Nike dress
Jo-Wilfried Tsonga adidas outfit
Andy Murray adidas outfit
Ana Ivanovic adidas dress
Novak Djokovic Uniqlo outfit

Marketing

Wimbledon 2012 Sponsorship Activation

A trip down memory lane:

Wimbledon Trivia
Wimbledon past champions: stats and records
Wimbledon ‘s biggest upsets
Wimbledon memories: Mrs Blanche Bingley Hillyard
Wimbledon memories: Charlotte Cooper Sterry
Wimbledon memories: Dora Boothby
Wimbledon 1969: Laver’s getting beat by an Indian
Rod Laver – John Newcombe Wimbledon 1969
Bjorn Borg – Ilie Nastase Wimbledon 1976
Virginia Wade, Britain’s last Wimbledon champion
1981: First Wimbledon title for McEnroe
1982: Jimmy Connors defeats John McEnroe
1984: John McEnroe defeats Jimmy Connors
Wimbledon 1991: the first Middle Sunday
1992: first Grand Slam for Andre Agassi
1993: Pete Sampras defeats Jim Courier
2000 Wimbledon SF: Pat Rafter defeats Andre Agassi
2000 Wimbledon Final: Pete Sampras defeats Pat Rafter
2001 Wimbledon 4th round: Federer defeats Sampras
Wimbledon 2010: Rafael Nadal defeats Tomas Berdych
The Spirit of Wimbledon: a 4-part documentary by Rolex retracing Wimbledon history

Recap and analysis:

Polls:

Wimbledon 2013 champion?

  • Rafael Nadal (31%, 48 Votes)
  • Roger Federer (29%, 45 Votes)
  • Novak Djokovic (18%, 28 Votes)
  • Andy Murray (18%, 28 Votes)
  • Juan Martin Del Potro (1%, 2 Votes)
  • David Ferrer (1%, 1 Votes)
  • Tomas Berdych (1%, 1 Votes)
  • Other (1%, 1 Votes)
  • Jo-Wilfried Tsonga (0%, 0 Votes)

Total Voters: 154

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Wimbledon 2013 champion?

  • Serena Williams (56%, 78 Votes)
  • Maria Sharapova (19%, 26 Votes)
  • Victoria Azarenka (16%, 23 Votes)
  • Other (5%, 7 Votes)
  • Agnieszka Radwanska (1%, 2 Votes)
  • Petra Kvitova (1%, 2 Votes)
  • Li Na (1%, 1 Votes)
  • Angelique Kerber (1%, 1 Votes)
  • Sara Errani (0%, 0 Votes)

Total Voters: 140

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Need a break between two tennis matches at Roland Garros? Pay a visit to Roland Garros tennis museum (also called Tenniseum), situated near Gate B. It is open to the public free of charge from 10am to 7pm during the tournament.

Tennis museum at Roland Garros

The museum was created in 2003, I first visited it in 2005 or 2006 but haven’t since.
The permanent exhibition area, that has been totally revamped last year, features some player memorabilia, a few videos as well as some infos about tennis history and the future Roland Garros expansion.

Roland Garros museum

Roland Garros museum

Roland Garros museum
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