Mats Wilander, Roland Garros magazine

A Wilander interview is always worth a read. Prior to Roland Garros 2015, Mats Wilander opened up to Roland Garros Magazine about his three victories in Paris, Bjorn Borg, and the futile notion of the result.

Bjorn Borg:

My first image of Roland Garros is from the TV. It’s me as a kid then as a teenager, watching Bjorn Borg’s finals glued to the screen. I’m not sure as to whether I saw the first, against Manuel Orantes. I am certain I watched the next four though. At the time, there were only two TV channels in Sweden, but we certainly never missed one of Borg’s matches.
The whole of Sweden was proud of what Bjorn Borg achieved. He wasn’t a star as such – he was beyond that, too big to fit that description. He was inaccesible, out of reach. For us in Sweden, he was the greatest player of all time, the hold he had on the two biggest tournaments in the world, Roland Garros and Wimbledon, was unheard of. And who cares if he never won the US Open. On a personal level, he wasn’t my idol. I preferred Jimmy Connors, Ilie Nastase and other less legendary players like Adriano Panatta and Guillermo Vilas. But Borg was a cut above the rest. There was something unreal about him.

1981, Roland Garros juniors’ title:

That year I won the juniors’ title, seeing off some hefty competition. If my memory serves me correctly, I beat Pat Cash, Miloslav Mecir and then Henri Leconte in the final. I had already stopped playing in most junior tournaments. I had been to Wimbledon once the previous year when I was 16 and lost in the first round, and I’d never played the Australian or US Open. To me it was a big win and I savoured it all the more since I knew that it was my last junior tournament. My coach Jan-Anders Sjogren and I had decided to make the step up after Roland Garros. And I have this memory after winning the juniors final of leaving No.1 Court to go to Centre Court and watch the last set of the final between Borg and Ivan Lendl.
What a moment that was. Seeing Bjorn Borg, in the flesh, win his sixth French Open. It was the first time that I saw him live on the court that had been the scene of his finest achievements, and he polished off the last set of the final 6-1.

1982, first Roland Garros title:

Despite my win in the juniors’ the previous year and my semi-final in Rome coming into the tournament, no-one thought of course, but that was all, that’s where it stopped. The pressure was on other people’s shoulders. I just did what I did best – I felt at home on clay, I never got tired and I played at the same level from the third round all the way through to the final. The fact that my level never slipped meant that my opponents must have thought that they were playing the ghost of Borg, and they couldn’t keep their emotions in check when they were confronted by this situation. They just couldn’t manage it. They were playing me but for them it must have been like facing Borg junior, with all the unpleasant memories that this brought back! Particularly for Guillermo in the final, he must have thought that he was stuck in a nightmare, reliving his defeats to Bjorn.

Roland Garros 1982 represented my scent to adulthood. I was a kid whe I arrived, but after a fortnight I’d become a man. To be exact the whirlwind started coming into the tournament. I came in from Rome where I’d lost in the semis to Andres Gomez. My coach and I drove there overnight due to an Alitalia strike so I got to Paris on the Sunday morning, just in time to hot-foot it over to Roland Garros, where I could practice on Centre Court for the first time in my life. And surprise, surprise, the player waiting for me on the other side of the net was Jimmy Connors.
I was tired, after the journey and all that, but he didn’t care. We had a hit-out for half an hour, then we played a practice set. And I took the lead and found myself 4-1 up. Suddenly Connors stopped, came towards me, and pointed at me, yelling: “You’re a fucking cocksucker!” I turned to Jan-Anders and said: “Did you hear that?” “I heard it, just ignore him!” How could I ignore it? “fucking cocksucker…” That’s how it all began – a kid being insulted by Jimmy Connors. And then, two weeks later I won Roland Garros. This tournament made me grow up double quick. There was the insult from Connors, my win over Lendl – how did I manage to beat Lendl? I didn’t think I stood a chance! My fourth round match against Ivan was the last piece of the puzzle. After that, I told myself that I could be Gerulaitis, then Clerc in the semis, and then Vilas in the final … and I won.

1983, defeat to Yannick Noah:

There were a few defeats in my career where I didn’t feel depressed afterwards. This was the case in the final of the Australian Open 1985, against Stefan Edberg. And then there was Yannick. Of course I thought that I could win. I was the best player in the world on clay at the time.
In the space of a year, from the start of Roland Garros 1982 until the final in 1983, I’d only lost two matches on the surface, so obviously I was disappointed to lose. Disappointed, but not depressed, no. Yannick, was … different. He had a passion for what he did. He was always a nice guy in the locker-room, full of smiles. He was always the one to get the players’ parties started. I later found out that we shared a love of music. He wasn’t just a tennis player – not that this stopped him from being excellent out on court. He was a cool guy. So when we bumped into each other on the night after the final in a nightclub called Le Duplex, I wasn’t sad in any way. I’d lost to a great guy. And when someone plays better than me, I don’t see what the problem is. He’d earned his victory. On the contrary: in hinsight, I learned a lot from this match and the way Yannick played on clay. Seeing him play, I understood that I couldn’t just hang back on the baseline if I wanted to win as I was neglecting too many interesting options – backhand and forehand slice, coming into the net when the opponent didn’t expect it. In a certain sense, I owe him all these things that helped me win another six Grand Slam titles, despite the fact that there was such strong competition at the time.

1985, victory over Ivan Lendl:

The 1985 French Open was perhaps my most important title. First of all in the terms of quality of the opponent I faced – Thierry Tulasne to start with, Boris Becker in the second round, Tomas Smid in the round of 16, Henri Leconte in the quarters, John McEnroe in the semis and then Lendl in the final. Such a tough draw. During the final, I totally changed my tactics for the first time ever, leaving the baseline and coming in to the net. I came to the net so many times. On clay. At the time, none of the specialists on the surface ever risked that. Maybe Victor Pecci at a push, but Pecci couldn’t play from the baseline so he had to come in. But for a player with a reputation as a solid baseliner to suddenly choose to rush into the net, on clay… It was so unexpected that it worked. I still had to wait another three years after that to win my next Grand Slam. But I’d chosen the right way to go. Ivan had become better than me at playing from the baseline. He’d started inflicting some heavy defeats on me, at Roland Garros, at the US Open… I’d lost ground and I needed to come up with something different. And it worked.

1988, victory over Henri Leconte:

In a way this was the most expected of my seven Grand Slam victories. Everyone said that I was going to beat Henri. It’s true that I was enjoying a purple patch at the time – I had already won the Australian Open at the beginning of the year and I felt that I could go on and add Roland Garros to the list. Particularly since Lendl had lost quite early in the tournament to Jonas Svensson, “Mr Drop-shot”. But I still find it difficult to analyse this final. People didn’t realise that if Henri had won the first set – and he came pretty close – there was every chance that the match would go the full five. And there, who knows, Henri was playing extremely well at the time, and even though I played a good match and was very solid throughout the three sets, Henri collapsed so spectacularly from the second set onwards that I can’t say that it was just down to me.

World number one:

From the age of 1, tennis had been the most important element in my life, but as time went by, I was driven less by the notion of pleasure than I was by victory, with the result becoming more important than the way I played. When I reached No. 1 in the world in 1988, I’d achieved my goal and I didn’t have the motivation any more to go down that road. So I decided to go back to the well and rediscover the simple pleasure of just hitting a ball and the almost childlike sensation of playing a nice point. The result was no longer the most important aspect. Personally, these years helped build me. They are an important part of my life and my career, even if that can’t be measured in the number of titles I won. I learned a lot when my status changed from start to just another player. I also had a lot of highlights, and I think that I earned people’s respect by living the same way whether I was centre stage or behind the scenes.

The last years:

My favourite memory as a player comes from that second part of my career – right at the end of my career actually. It was in 1995. I’d lost to Wayne Ferreira out on Court Suzanne Lenglen, 8-6 in the fifth. We’d played for something like five hours and I was out on my feet. And I just had to go back to the locker room, have a shower, put on another pair of shorts and a t-shirt and I was back out to play doubles with Karel Novacek. We beat Tomas Carbonell and Francisco Roig 14-12 in the third set! I was exhausted. I went back to the locker-room and there everyone got to their feet and applauded me, shouting “Well done, Mats!” I have to say that it took my breath away. A first round loss, a first round win… It didn’t matter, it was cool and it went beyond the futile notion of the result. All I remember is that unique moment where all these guys around me were congratulating “the old fellah”.

Source: Roland Garros Magazine

Novak Djokovic

Follow our Roland Garros 2015 coverage and relive some of the most memorable Roland Garros moments. Many pictures and videos to come! If you attend the tournament and want to share your pictures/videos/recaps please contact us.

Roland Garros visitor’s guide:

How to buy Roland Garros tickets
Get behind the scenes at Roland Garros – part 1
Get behind the scenes at Roland Garros – part 2
Take a seat: court Suzanne Lenglen
Take a seat: court Philippe Chatrier
Today at Roland Garros: Court Philippe Chatrier
Longines Smash Corner
Roland Garros store

Fashion and gear:

A trip down memory lane:

1956: First time at Roland Garros for Rod Laver
Portrait of Manuel Santana, first Spaniard to capture a Grand Slam title in 1961
1967: Françoise Durr defeats Lesley Turner
1969: Rod Laver defeats Ken Rosewall
Portrait of 6-time Roland Garros champion Bjorn Borg
Portrait of Adriano Panatta, the only player to beat Bjorn Borg at Roland Garros
1978: Virginia Ruzici defeats Mima Jausovec
1982: At the request of Monsieur Wilander
1982: first Grand Slam for Mats Wilander
1983: Yannick Noah defeats Mats Wilander
1984 French Open: Ivan Lendl defeats John McEnroe
1985 French Open: Chris Evert defeats Martina Navratilova
Roland Garros 1985: Mats Wilander defeats Ivan Lendl
Roland Garros 1988: bold Leconte swept aside by a Mats for all surfaces
Portrait of Natasha Zvereva, 1988 runner-up
Portrait of Arantxa Sanchez, 1989 French Open champion
Portrait of Michael Chang, 1989 French Open champion
1990 French Open: Opposites attract, Gomez defeats Agassi
Roland Garros 1990: Defending champion Sanchez loses in the first round
Roland Garros 1990: Edberg and Becker lose in the first round
1991 French Open 3RD: Michael Chang defeats Jimmy Connors
1991 French Open final: Jim Courier defeats Andre Agassi
Roland Garros 1996: Pete Sampras run through the semi-finals
1997: Going ga-ga over Guga
Steffi Graf – Martina Hingis Roland Garros 1999
2000: Mary Pierce finds peace and glory
2004: Coria vs Gaudio: the egotist vs the underdog
2005: Rafael Nadal defeats Mariano Puerta
A look back at Roland Garros 2011
A look back at Roland Garros 2014

Pictures and Recaps:

Polls:

Who will win Roland Garros 2015?

  • Novak Djokovic (35%, 132 Votes)
  • Rafael Nadal (26%, 99 Votes)
  • Roger Federer (24%, 92 Votes)
  • Kei Nishikori (7%, 28 Votes)
  • Andy Murray (6%, 22 Votes)
  • Other (1%, 3 Votes)
  • Tomas Berdych (1%, 2 Votes)
  • David Ferrer (0%, 1 Votes)
  • Stan Wawrinka (0%, 1 Votes)
  • Marin Cilic (0%, 1 Votes)
  • Milos Raonic (0%, 0 Votes)

Total Voters: 381

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Who will win Roland Garros 2015?

  • Serena Williams (43%, 105 Votes)
  • Maria Sharapova (30%, 73 Votes)
  • Simona Halep (11%, 28 Votes)
  • Ana Ivanovic (4%, 10 Votes)
  • Eugenie Bouchard (3%, 8 Votes)
  • Other (3%, 8 Votes)
  • Caroline Wozniacki (2%, 6 Votes)
  • Petra Kvitova (2%, 5 Votes)
  • Carla Suarez Navarro (1%, 2 Votes)
  • Ekaterina Makarova (0%, 1 Votes)
  • Andrea Petkovic (0%, 1 Votes)

Total Voters: 247

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Guga Kuerten, Roland Garros 1997

From Tennis Confidential by Paul Fein

“He’s just what tennis needs”

raves hard to please John McEnroe. Indeed, Gustavo Kuerten is the proverbial “nice guy” without being bland or boring, and a colorful personality minus boorish antics. Throw in spectacular athleticism, and you can see why everyone is going ga-ga over Guga.

Crowd loved Kuerten’s smiling insouciance during his fairy-tale French Open. Chants of “Guga, Guga” everberated in Stade Roland Garros and buoyed the unseeded, unheralded Brazilian to one of the Open Era’s most shocking and exciting Grand Slam triumphs. The sixty-sixth-ranked Kuerten, who had never advanced past an ATP tour quarterfinal and was only 2-7 on clay this year, knocked off former French champions Thomas Muster, Yevgeny Kafelnikov, and Sergi Bruguera for the prestigious title.

The fact that twenty-year-old Guga looks like a cartoon caricature endears him to fans even more.
His stringbean body, ingenuous face, unkept curls, and eye-catching attire give him the most distinctive appearance of any top player since the young Agassi. Kuerten says his gaudy gold and electric blue soccer-style outfits – which prompted French Tennis Federation president Christian Bimes to advocate a stricter dress code – “show my personality.” In Cincinnati, he promised his clothes would be flashier than Agassi’s.

When the charismatic Kuerten made history as the first Brazilian man to capture a Grand Slam singles title, he became the new national hero and ignited a tennis boom in Brazil. Tennis racket sales jumped 40 percent in his hometown of Florianopolis during the French Open fortnight, and manufacturers sold $3 million of his trademak outfits in Brazil in the week following the tournament.

“Guga has brought so much happiness to the Brazilian people. You can’t imagine,”

says Diana Gabanyi, his publicity director.

“Everyone from the taxi drive to the people at the bus station to the people in his hometown talks about him. Everyone loves him. His personality and smile captivate people. He’s winning and he’s taking Brazil’s name throughout the world. Right now Guga is as big as soccer star Ronaldo. That’s incredible!”

When I asked Guga what it’s like being the hot new star in men’s tennis, he laughed and modestly downplayed it.

“My life has changed a bit, but I don’t see myself as a big star. I’m too young to be a star. I don’t want to change. I just want to keep playing tennis and enjoy it.”

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Surviving stardom

Jennifer Capriati

By Cindy Hahn, Tennis Magazine, October 1992:

Jennifer Capriati, her ankles still encrusted with the red clay of Il Foro Italico, faces a den of crass, middle-aged sportswriters. One, an Italian journalist, will write a story tomorrow whose headline screams that she looks like a pig. The 16-year-old, sweat-soaked and exhausted, hasn’t yet suffered that cruelty, and good thing, for her heart aches enough: She has just lost in a miserable, third-round match at the Italian Open – to a player ranked 25 spots below her. Her eyes swim with tears.

A cool shower – and time alone to soothe her anguish – might have made this post-match grilling less painful. But at her father’s command, Capriati was shuttled from the Campo Centrale directly into the interview room… Do not shower, do not pass go, do not change into you favorite Grateful Dead tie-dyed T-shirt. After all, Diadora is paying Capriati several million dollars to be seen in its tennis togs. Better for her to appear before the TV cameras as a disheveled Diadora girl than as a freshly scrubbed heavy metal-head – the identity Capriati currently prefers.

“Do you think you lost because you’re overweight?”

an Italian reporter asks.
Capriati cannot hear the interrogator and asks him to repeat the question. softening his query, the reporter responds: “Do you think you lost because you’re not in good physical condition?” But Capriati suddenly compehends his original question: He has announced before a roomful of international journalists that she is … fat. New tears glisten on her eyelids as her face flushes crimson.
Mercifully, another question is asked. Capriati concentrates hard, trying to block out the notion that she is fat. The moment of tears, of truth, passes.
When the press conference ends, Capriati retreats through a door into the locker room, where she collapses onto a bench and drops her head to her hands. More moments, more tears. There was no time for a shower, but there is time for tears.

This isolated scene, played out this past May, poignantly dramatizes the tragedy of pro tennis in any season: A parent placing mercenary interests before the emotional needs of his child; a girl forced to answer to uncaring adults; and a teenager’s private problems, such as weight gain, showcased as a media event. Threaded together, these plot lines form a disturbing, if familiar, story in professional tennis.

This report is not about a person but a process; it does not focus on a single star but rather on the constellation of problems in a system that embraces talented children, and then exhausts them. Capriati is just one of the handful of tennage pros whose gifts have launched them on a shuttle-ride to success: Michael Chang, French Open at 17 … Boris Becker, Wimbledon winner at 17 … Andre Agassi, Nike’s multi-millionnaire celebrity at 18 … Steffi Graf, at 19 only the fifth person to win the Grand Slam … Pete Sampras, handed a $2 million winner’s check at 19 … Gabriela Sabatini, a 15-year-old French Open semifinalist … and Monica Seles, the youngest world No.1 at 17.

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Rod Laver

From Love Thirty: Three Decades of Champions, by Rex Bellamy, published in 1990:

Rodney George Laver was the most astounding player I ever saw, and may have been the greatest ever. His record is without parallel. Consider what that record might have been but for his exclusion from 21 Grand Slam tournaments when he was, presumably, at his physical peak, between the ages of 24 and 29. Had professionals been eligible for those events, Lew Hoad might have had the better of laver for a year or so and Ken Rosewall would always have been worth an even-money bet. But one has to believe that from 1963 to 1967 Laver would have collected another bunch of major championships and perhaps a third Grand Slam. Laver overlapped and dominated two Grand Slam eras separated by seven years. He did so because he had it all. Because he was adventurer and artist in one. Because he could raise his game to any level demanded of it.

Laver was only 5ft 8 1/2in tall and usually weighed around 10st 71lb. But he had gigantic left arm and his speed and agility were breathtaking. The circumference of his left forearm was 12in and the wrist measured 7in. The strength of that wrist and forearm gave him blazing power without loss of control, even when he was on the run at full stretch. The combination of speed and strength, especially wrist-strength, enabled him to hit ferocious winners when way out of court – often when almost under the noses of the front ow of spectators. And he was a bow-legged, beautifully balanced, and as quick as a cat. He had some glorious matches with Rosewall – and with Tom Okker, who could match Laver’s speed and panache but was second-best in terms of strength and technical versatility. Laver also had the eyes of a hawk and fast anticipation and reactions. Like Budge, he was feckle-faced and had copper-coloured hair. Another distinguished feature was a long nose that, in spite of the kink in it, gave a false impression of hauteur. For much of his career Laver was confessedly shy and self-conscious, but there was no ‘side’ to him. He was easy going – except on court.

Marty Riessen once summed up Laver admirably: “To look at him walking around, you wouldn’t think he was world champion. He doesn’t stand out. His stature isn’t something you expect, like a Gonzales or a Hoad. Off the court, his personality seems almost retiring. But it’s as if he goes into a telephone booth and changes. On court he’s aggressive. Such a big change of personality – when a lot of players play the same as they act. What impresses me is his quickness. Speed enables him to recover when he’s in trouble. And the thing I learned from playing Laver is how consistent one can be with power. It’s amazing how he can keep hitting with such accuracy. He combines everything. There are a lot of good competitors. But he’s fantastic.”

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Every year in September, 50 European countries take part in the European Heritage Days, a programme that offers opportunities to visit buildings, monuments and sites, many of which are not normally accessible to the public. For the first time, yesterday, the French Federation of tennis opened up the Roland Garros stadium and museum free to the public as part of Heritage Days, and of course, I was there.

Waiting to enter the museum, you could still see the Davis Cup semifinals poster and the French and Czech flags atop Court Philippe Chatrier.

Roland Garros

Tennis museum

The permanent exhibition showcases trophies, players memorabilia, a few videos as well as some infos about tennis history and the future Roland Garros stadium expansion.
You might be disappointed if you’ve visited the Wimbledon museum, Roland Garros museum is quite small, with less content and interactivity.

Below, the trophies presented each year to the winner of the men’s singles (Coupe des Mousquetaires) and women’s singles (Coupe Suzanne Lenglen):

Roland Garros trophies

Replica of the 1991 Davis Cup captured by Henri Leconte and Guy Forget over the dream team of Sampras, Agassi and Flach-Seguso:

1991 Davis Cup replica
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