Rafael Nadal at practice, Roland Garros 2016

Roland Garros visitor’s guide:

A trip down memory lane:

1956: First time at Roland Garros for Rod Laver

1960-1969:
Portrait of Manuel Santana, first Spaniard to capture a Grand Slam title in 1961
1967: Françoise Durr defeats Lesley Turner
1969: Rod Laver defeats Ken Rosewall

1970-1979:
Portrait of 6-time Roland Garros champion Bjorn Borg
Portrait of Adriano Panatta, the only player to beat Bjorn Borg at Roland Garros
1978: Virginia Ruzici defeats Mima Jausovec
1978: Bjorn Borg defeats Guillermo Vilas
Roland Garros 1978 in pictures

1980-1989:
1982: At the request of Monsieur Wilander
1982: first Grand Slam for Mats Wilander
1983: Yannick Noah defeats Mats Wilander
1984 French Open: Ivan Lendl defeats John McEnroe
1985 French Open: Chris Evert defeats Martina Navratilova
Roland Garros 1985: Mats Wilander defeats Ivan Lendl
Roland Garros 1988: bold Leconte swept aside by a Mats for all surfaces
Portrait of Natasha Zvereva, 1988 runner-up
Portrait of Arantxa Sanchez, 1989 French Open champion
Portrait of Michael Chang, 1989 French Open champion

1990-1999:
1990 French Open: Opposites attract, Gomez defeats Agassi
Roland Garros 1990: Defending champion Sanchez loses in the first round
Roland Garros 1990: Edberg and Becker lose in the first round
1991 French Open 3RD: Michael Chang defeats Jimmy Connors
1991 French Open final: Jim Courier defeats Andre Agassi
1996: An unflinching Edberg causes a grand upset
Roland Garros 1996: Pete Sampras run through the semi-finals
1997: Going ga-ga over Guga
Steffi Graf – Martina Hingis Roland Garros 1999

2000-2009:
2000: Mary Pierce finds peace and glory
2004: Coria vs Gaudio: the egotist vs the underdog
2005: Rafael Nadal defeats Mariano Puerta
2006: Nadal defeats Federer, wins second Roland Garros title

2010-2016:
A look back at Roland Garros 2011
A look back at Roland Garros 2014
A look back at Roland Garros 2015

Pictures and Recaps:

Fashion and gear:

Polls:

Who will win Roland Garros 2017?

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Who will win Roland Garros 2017?

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Court Philippe Chatrier, Roland Garros

Roland Garros visitor’s guide:

A trip down memory lane:

1956: First time at Roland Garros for Rod Laver
Portrait of Manuel Santana, first Spaniard to capture a Grand Slam title in 1961
1967: Françoise Durr defeats Lesley Turner
1969: Rod Laver defeats Ken Rosewall
Portrait of 6-time Roland Garros champion Bjorn Borg
Portrait of Adriano Panatta, the only player to beat Bjorn Borg at Roland Garros
1978: Virginia Ruzici defeats Mima Jausovec
1978: Bjorn Borg defeats Guillermo Vilas
1982: At the request of Monsieur Wilander
1982: first Grand Slam for Mats Wilander
1983: Yannick Noah defeats Mats Wilander
1984 French Open: Ivan Lendl defeats John McEnroe
1985 French Open: Chris Evert defeats Martina Navratilova
Roland Garros 1985: Mats Wilander defeats Ivan Lendl
Roland Garros 1988: bold Leconte swept aside by a Mats for all surfaces
Portrait of Natasha Zvereva, 1988 runner-up
Portrait of Arantxa Sanchez, 1989 French Open champion
Portrait of Michael Chang, 1989 French Open champion
1990 French Open: Opposites attract, Gomez defeats Agassi
Roland Garros 1990: Defending champion Sanchez loses in the first round
Roland Garros 1990: Edberg and Becker lose in the first round
1991 French Open 3RD: Michael Chang defeats Jimmy Connors
1991 French Open final: Jim Courier defeats Andre Agassi
1996: An unflinching Edberg causes a grand upset
Roland Garros 1996: Pete Sampras run through the semi-finals
1997: Going ga-ga over Guga
Steffi Graf – Martina Hingis Roland Garros 1999
2000: Mary Pierce finds peace and glory
2004: Coria vs Gaudio: the egotist vs the underdog
2005: Rafael Nadal defeats Mariano Puerta
2006: Nadal defeats Federer, wins second Roland Garros title
A look back at Roland Garros 2011
A look back at Roland Garros 2014
A look back at Roland Garros 2015

Pictures and Recaps:

Fashion and gear:

Polls:

Who will win Roland Garros 2016?

  • Rafael Nadal (50%, 125 Votes)
  • Novak Djokovic (29%, 73 Votes)
  • Andy Murray (11%, 27 Votes)
  • Roger Federer (5%, 12 Votes)
  • Kei Nishikori (2%, 5 Votes)
  • Stan Wawrinka (1%, 3 Votes)
  • Other (1%, 2 Votes)
  • Jo-Wilfried Tsonga (0%, 1 Votes)
  • Tomas Berdych (0%, 1 Votes)
  • Richard Gasquet (0%, 1 Votes)
  • David Ferrer (0%, 0 Votes)

Total Voters: 250

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Who will win Roland Garros 2016?

  • Serena Williams (42%, 47 Votes)
  • Victoria Azarenka (15%, 17 Votes)
  • Angelique Kerber (13%, 15 Votes)
  • Garbine Muguruza (12%, 13 Votes)
  • Simona Halep (7%, 8 Votes)
  • Other (4%, 5 Votes)
  • Carla Suarez Navarro (4%, 4 Votes)
  • Agnieszka Radwanska (2%, 2 Votes)
  • Belinda Bencic (1%, 1 Votes)
  • Petra Kvitova (1%, 1 Votes)
  • Roberta Vinci (0%, 0 Votes)

Total Voters: 113

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Bjorn Borg, Roland Garros 1978

From Inside Tennis, a season on the pro tour by Peter Bodo:

On the day of the finals, transparent clouds travel through a sky of china blue. The air is crisp and cool, as if the seasons have changed and left a single autumnal day in honor of the past champions.
At the entrance to the Tribune présidentielle, the box reserved for honored guests and dignitaries, Juliet Mills sits at a table examining a complex seating chart, wondering where to put Belmondo, and Princess Caroline and Philippe Junot. Mills, a former film star, is now in charge of the celebrated at Roland Garros. Each day she attends to their needs and works out a seating arrangement as assiduously as a debutante giving her first dinner party.

On the floor of the stadium, a Signal Corps bad in khaki uniform plays brassy music as the galleries slowly fill. Runners of crimson velvet crisscross the court beneath the feet of ball boys who stand at parade rest holding a panoply of flags. A single strip of carpet provides a path from the court to the end of the stadium, up the stairs of the presidential box, and into a portal lined with royal guards in uniforms of black and red with burnished helmets.

The stadium is full now; the band is silent. Some 18,000 spectators await the start of the ceremony.
Suddenly the guardsmen raise their trumpets and sound a brisk fanfare. All eyes are fixed on the portal as the announcer intones the name of Henri Cochet, the seventy-six-year-old Frenchman who was the first champion of Roland Garros, and triggers an avalanche of applause.
Next comes René Lacoste, le crocodile, who turned his inelegant nickname into a trademark known throughout the world. Then Jean Borotra, the bouncing Basque, who smiles and waves casually, hardly pausing as he takes the stairs with the sprightly step that earned him his nickname. As he joins his fellow musketeers before the French standard, the parade of champions continues chronologically, from Peggy Vivian to a beaming Don Budge. There is Hoad, the blond bull wearing a mile-wide smile, looking as robust and invincible as ever; Darlene Hard Wagoner in a blue polyester pantsuit with a loud geometrically patterned top; Manuel Santana, the virtuoso, dapper and compact in a blazer of navy velvet.
The speaker reaches 1973 and the name Bjorn Borg. There is a moment of anticipation and then Borg appears, his hair clean and long and golden in the sun, his body lean and angular in the track suit that fits him like a second skin.
And then 1977 is called. Vilas steps out to a warm welcome. Vilas takes the stairs with his head bowed and proceeds to where Borg and Panatta stand chatting. He realizes his error and looks for the Argentinian flag. When he arrives before it, he exchanges a few words with his neighbour, Santana.

Borg held a long first game to start the match, then broke Vilas when the defending champion made three puzzling errors and double-faulted the love-40 point. Vilas broke back, but Borg won the next four games running to take the first set, 6-1, in a mere thirty-seven minutes.

Vilas is strong and Vilas is steady. Borg is his equal in that, but Borg is also frightening quick, and his consistency is neither defensive nor aimed at prolonging a point; it is merely an aggressive tactic to prepare him for the killing stroke. Errors from Vilas’ backhand begin to come with disturbing frequency. Each time he misses, he throws the racquet from his left hand to his right just as he concludes his follow-through, then snaps his left palm upward in a gesture of despair. It is meant only for the eyes of Tiriac, who sits courtside, just behind Vilas’ chair, sending a multitude of subtle hand signals to his protégé.
Absorbed in the match, Tiriac resembles some prehistoric turtle, with his broad, curved back and the sad, impassive eyes set deep in his head. The eternal cigarette cupped in his right hand is raised every other moment to the mustache that frames his mouth like an inverted horseshoe. When Vilas looks over, Tiriac will nod or just blink, but the blink seems loaded with profound implications.

Tiriac is no help today, for Borg is really on form, and Vilas has not mastered the attacking game well enough to force his opponent out of his rythm. After Borg wins the second set, also by 6-1, Tiriac advises Vilas to attack in the third. In desperation, Vilas begins to hit his flat first serve. He takes the initiative. He attacks, but he is tentative and flounders like a man caught in a bad dream. The dividends are higher now, and after surrendering an early break that gives Borg breathing room, Vilas manages to hold on and take three games. But he cannot stop Borg when the Swede serves for the match at 5-3. When Vilas hits a volley out to give Borg the match, the winner drops his racquet and slowly, almost as if he is yawning, raises his arms high above his head. He turns toward the players’ box, and for the first time in the match, he looks at his coach, Bergelin, and his fiancée, Marianna.

When Vilas sat down to the reporters, the light in his eyes expessed relief. “He gave me no chances to win. He made no mistakes. I think he played much better than me today,” he admitted.
Vilas was aked if so routine a loss to Borg was discouraging, and whether he felt that more work would ultimately give him a better chance against his Swedish rival. “I think I have to improve my play on all surfaces, learn to do more things,” he replied. “He is quicker, but I am stronger. Today, we were not out there so long that I could take advantage of my strength.” He continued, in a voice that was softer and less mechanical, “There are many disadvantages with my kind of thinking, but I have also one big advantage – I am not happy.”
“Why not?” a woman reporter asked kindly.
“It is impossible. When you are happy … you are dead.”

When Borg appeared, his hair hanging in thick, wet strands about his ears and shoulders, he was smiling.
“Well, how will you celebrate your third French title?”
“There will be a big kiss tonight,” Borg quipped.
He was surprised the match went so easily and felt that he won all the important points – the deuce and 30-40 points that support a win. After the first two games, he knew that Vilas did not have the confidence to beat him: “I see it in his shots, you know, and also in his face. He looks to me a little bit afraid. He become very nervous when he makes a mistake, like he cannot believe it, you know? Like somebody is doing something very bad to him.”
Someone suggested that Vilas might have a complex about him, but Borg would not confirm the theory. However, he allowed that his easy wins over Vilas in their last few matches had put him at a distinct advantage.
A late arrival asked Borg if he was doing anything special that evening.
“Yes in one hour I go on plane for Belgrade to play Davis Cup,” said the champion.
“You will have a champagne party, maybe?”
“Yeah.” Borg laughed. “Maybe on the plane.”
On the way out, I asked Borg what he would like to do on the private jet waiting at nearby Charles de Gaulle airport to take him to Belgrade.
“Sleep,” he replied.

Adriano Panatta

Extract from Hard Courts: Real Life on the Professional Tennis Tours by John Feinstein

For years the Italian was considered the most corrupt tournament in the game. Line judges routinely cheated foreigners who were facing Italians. When Adriano Panatta won the tournament in 1976, almost every player he beat felt he had been cheated. One umpire quit in the middle of the match, when he was not allowed by the tournament referee to overrule several horrendous calls. (It was in fact in 1978, read the all story here: Italian Open 1978: silenzio cretini! )

One story Italians tell holds that in the early 1980s, when Panatta, the god of Italian tennis, was beginning to slide, he would sit in on the draw – then done in private – to make sure he drew a first-round opponent he could beat.

The story goes that one year, Panatta rejected three different names that were pulled out for him, the last being Ismael El-Shafei, an Egyptian who won a few matches on tour during his career. On the fourth try, El-Shafei’s name came out again. Okay, Panatta said, I’ll play El-Shafei. He did – and lost.

Bjorn Borg, Rome 1978

From Inside Tennis, a season on the pro tour by Peter Bodo:

Borg is broken in the first game. In the second, Panatta gets the benefit of a close call at love-30. “Now the robbery begins,” an Italian friend of mine whispers. However, Borg breaks back. At 15-30 in the next game he suddenly strikes his head with his racquet and walks calmly to the sideline. He has been bitten just above the right eyebrow by a bee. When they continue after a five-minute delay, Panatta runs out the first set, 6-1, by taking the pace off the ball at every opportunity. He has lured Borg into the forecourt, the place the Swede likes least, with succinct dropshots from the backcourt. Panatta has served well and volleyed precisely, ending many points before Borg could force him to rally. It is a highly conceived strategy.

Each player holds his first service game of the second set. In the third game, Panatta departs from his touch game and begins to rally with Borg. He is promptly broken. In the next game, a crucial one for Borg, he reveals the remarkable fifth gear that none of his opponents possesses. He hits heavily top-spun balls that pound the clay and hop out of reach. Each successive stroke has more pace and less margin of error; after three or four such shots, Borg is in the groove and soon he finishes the sizzling rally with the easy placement offered by the final, desperate retrieve of his opponent; Borg leads, 4-1.
At break point against Borg in the next game, Panatta casts himself into the air and strikes a miraculous forehand drop volley off the frame, just wide of the sideline. but there is no call of out; borg looks at the spot where the ball fell, as does Panatta. The umpire makes a quick gesture indicating the ball was good. Borg bows and quickly rolls the spare ball in his hand to the umpire’s stand. He begins to change court. This act of complete surrender is so disconcerting that Panatta starts to hedge. He asks the linesman to come out and verify his call by examining the mark. The official insists that the ball was good.
Thus far the crowd has been subdued. Borg’s reaction to this first loaded moment has been so swift, so cool and effective, that there is no reaso no challenge him. A puzzled murmur runs through the galleries. Borg’s acquiescence has either disarmed the audience or intimidated it. The lean blond has self-control that would be a credit to the most accomplished of assassins.
Back in the match at 4-2, Panatta returns to his coy, artistic game plan and plays brilliantly to hold for 3-4. The crowd rallies to him now; the chant rises, swamping the cheers of a small cluster of Swedes high up in the cheap seats. But Borg is right on the mark. He wins the next two games to even the match at a set-all. Panatta clings to his strategy through the third set, but a flurry of forehand errors he cannot afford against a player like Borg gives the set to the Swede, 6-1.
Panatta‘s ambitious strategy continues to pay dividends in the fourth set; when he breaks Borg in the fourth game, the crowd is on its feet again, singing his melodious name. Another stunning game gives Panatta a 4-1 lead. passive play by Borg increases Panatta’s margin to 5-2 but Borg breaks him for 3-5, with the italian serving for the set.
Borg waits in the deuce court. He spits air onto his hands four or five times and swoops into his crouch. His feet shuffle on the clay as he rocks from side to side. Panatta is about to toss the ball for his first serve when Borg pulls up and raises his palm. He bends over, picks up a coin tossed from the stand, and flips the money to the foot of the umpire’s stand. He goes back into his crouch and proceeds to win the game at 15, striking unanswerable winners as he glides across the court.
Now Borg can serve to even the fourth set, but he falls behind 30-40 on the strength of Panatta’s volleying. At break point, Panatta hits an imperfect dropshot that Borg reaches easily and sends toward the far baseline with a vengeful forehand. Panatta gets to the ball and sends a backhand skimming over the net, past Borg, and deep into the backcourt. In or out? An agonizing moment of hesitation by the linesman is broken when Borg nods toward Panatta and turns his back to the net, signifying that he is yielding the point, game, and set to his opponent.

The final set begins with Panatta holding the first two service points, but then Borg strikes, swiftly as a thunderclap. He wins eight straight points; when his heavy strokes are not pounding the clay, he walks with his head bowed, his hips swinging in cadence to his fastidious steps. He is putting greater effort into his serve now.
Borg playsa few unexpected drop shots and touch volleys in the next game, but Panatta, imprevious to them, holds with relative ease; The players change ends, with Borg leading 2-1/ Borg leans forward, bounces the ball, and plans his serve, but then he pulls up. He takes a few steps toward the sideline, stops, and inspects the court. He heard the light clink of a coin striking the clay, and he will not be content until he locates it. When he does, he carries it over to the umpire’s stand. Then he approaches Bergelin, who is standing in the portal just behind the umpire.

“If they throw more things, I will stop to play,” he says.

The Swede does not return to court immediately. He stops by his chair, towels off carefully, and takes a long slug of San Pellegrino. He moves at his own pace, oblivious of the crowd. When he goes back out, he loses the first point, but then reels off the next four to lead 3-1.
Panatta will have to play catch-up for the rest of the match, with Borg clinging to his margin with conservative tennis. He does not exert himself much against Panatta’s serve and holds his own so deftly that he keeps the tension from accumulating. Working with the precision of a surgeon, he cuts the heart out of the contest and leaves the crowd with no target. He has not uttered a superfluous word or given the Roman crowd the least sign that it does, in fact, exist. Soon he leads, 5-3.

It is match game, Panatta serving. The score reaches 40-15, but then Borg turns it back. He wins three straight points to reach match point, but the talents that have sustaiened Panatta are still intact. Four times the Italian has advantage, four times Borg brings the score back to deuce. The crowd is tense and breathless – there will be plenty of time to shout should Panatta hold the game and force Borg to serve for the match at 5-4.
But it will not happen. Eleven points go by with Panatta holding off Borg’s onslaught with a series of flying volleys, delicate dropshots, and crackling ground strokes. but then, at yet another deuce, he double faults, presenting Borg with his second match point. Panatta strikes a good first serve, but Borg’s pendular backhand snaps it up and spits it back, crosscourt.
The Italian’s backhand volley strikes the top of the net and dies there. Borg has won the title.